mattniebuhrdrawings:

untitled (scratch)
2014_05_26
graphite on paper
18” x 24” (45.7 x 61)cm
Matt Niebuhr
West Branch Studio
www.mattniebuhr.com
shop.mattniebuhr.com

mattniebuhrdrawings:

untitled (scratch)

2014_05_26

graphite on paper

18” x 24” (45.7 x 61)cm

Matt Niebuhr

West Branch Studio

www.mattniebuhr.com

shop.mattniebuhr.com

(via lafilleblanc)

euliss:

Roxy Paine, PMU No. 6, 2001, Acrylic on linen

euliss:

Roxy Paine, PMU No. 6, 2001, Acrylic on linen

cavetocanvas:

Giuseppe Penone,TRA…, 2008 

(via lafilleblanc)

blackbirdspots:

Mira Schendel’s Still Waves of Probability, 1969, installed at Tate Modern: ‘perfectly simple and completely mesmerising.’ 
Photograph: Mira Schendel Estate

blackbirdspots:

Mira Schendel’s Still Waves of Probability, 1969, installed at Tate Modern: ‘perfectly simple and completely mesmerising.’

Photograph: Mira Schendel Estate

modernart1945-1980:

UntitledMira Schendel1980s

modernart1945-1980:

Untitled
Mira Schendel
1980s

Roni Horn
153 drawings

(Source: hauserwirth.com, via xinyicheng)

sculpture-center:

FEATURED ARTIST: Adriane Colburn
Adriane Colburn builds installations based on the complex relationship between human infrastructure, earth systems, technology and the natural world.  In these projects, large cut paper drawings are in conversation with digital images, manipulated objects, photographs, video and projected light. Her installations are extracted from material collected while participating in scientific expeditions to remote places such as the arctic and amazon. The work reflects on these far-flung environments and the overall state of nature in an age where few stones remain unturned by man. Particularly interested in romanticized notions of wilderness, the alteration of nature by industry and climate change and the relationships between scientific exploration and exploitation, she reckons with how our thirst to understand and visualize a landscape can irrevocably disrupt it.
Adriane Colburn is based in San Francisco, CA; Athens, GA; and Vermont. She has exhibited her work internationally, at venues such as Smack Mellon and Parsons/New School, New York; The Luggage Store Gallery and The Yerba Buena Center, San Francisco, CA; Artsterium, the Republic of Georgia; and at the Royal Academy of Art, London, UK. She has participated in scientific expeditions in the Arctic, Amazon and at Sea and has been an artist in residence at the Headlands Center for the Arts, the Macdowell Colony, and The Blue Mountain Center. She is a recipient of  Fleishacker Fellowship, An Artadia Fund Award and recently received the best exhibition award at the Dumbo Arts Festival in Brooklyn. She is currently teaching at the University of Georgia, Athens.
Adriane Colburn, Forest for the Trees, 2010. Inkjet prints, sumi ink, film. 12 x 7 feet. Courtesy the artist.
https://sculpture-center.org/

sculpture-center:

FEATURED ARTIST: Adriane Colburn

Adriane Colburn builds installations based on the complex relationship between human infrastructure, earth systems, technology and the natural world.  In these projects, large cut paper drawings are in conversation with digital images, manipulated objects, photographs, video and projected light. Her installations are extracted from material collected while participating in scientific expeditions to remote places such as the arctic and amazon. The work reflects on these far-flung environments and the overall state of nature in an age where few stones remain unturned by man. Particularly interested in romanticized notions of wilderness, the alteration of nature by industry and climate change and the relationships between scientific exploration and exploitation, she reckons with how our thirst to understand and visualize a landscape can irrevocably disrupt it.

Adriane Colburn is based in San Francisco, CA; Athens, GA; and Vermont. She has exhibited her work internationally, at venues such as Smack Mellon and Parsons/New School, New York; The Luggage Store Gallery and The Yerba Buena Center, San Francisco, CA; Artsterium, the Republic of Georgia; and at the Royal Academy of Art, London, UK. She has participated in scientific expeditions in the Arctic, Amazon and at Sea and has been an artist in residence at the Headlands Center for the Arts, the Macdowell Colony, and The Blue Mountain Center. She is a recipient of  Fleishacker Fellowship, An Artadia Fund Award and recently received the best exhibition award at the Dumbo Arts Festival in Brooklyn. She is currently teaching at the University of Georgia, Athens.

Adriane Colburn, Forest for the Trees, 2010. Inkjet prints, sumi ink, film. 12 x 7 feet. Courtesy the artist.

https://sculpture-center.org/

cavetocanvas:

Giuseppe PenonePalpebre, 1989-91

cavetocanvas:

Giuseppe Penone, Matrice di bronzo, 2008

cavetocanvas:

Giuseppe PenoneMatrice di bronzo, 2008

cavetocanvas:

Giuseppe Penone, Pelle di Marmo, 2001

cavetocanvas:

Giuseppe Penone, Pelle di Marmo, 2001